Vivienne Plumb’s collection As Much Gold as an Ass Could Carry collects a vibrant selection of poetry, plays and short prose from this always-innovative author. These are pieces composed over a writing career begun in Aotearoa New Zealand theatre and leading up to Plumb’s recent attainment of a PHD in creative writing from The University of Wollongong, Australia. General readers and those lured by the mysteries of the PHD will be equally intrigued to read the extracts here from her thesis manuscript The Glove Box and other stories. (Spineless Wonders, 2014) This collection earned her the prestigious doctoral award. Her Australian publisher’s ironically acerbic trade name is also entirely in keeping with Plumb’s own rapier wit and comic timing.
In whatever genre or persona she operates Plumb’s writing is intellectually incisive and visually complex. But it frequently also carries a depth finding tincture of melancholy. Jillian Sullivan’s excellent discussion of this dimension of Plumb’s poetics is analysed in the wonderful essay ‘Landscape and Lament: Anti-consolation in the Poetry of Vivienne Plumb’, which features on-line in the current issue of Ka Mate Ka Mate.
As Much Gold as an Ass Could Carry is an indispensable repository of Plumb’s oeuvre. The unflinching honesty of her narratives illuminate the human condition with nuances that make even life’s greyest moments shine with a diamond energy. Her barbed appraisals of suburbia, the universe, and everything, make an indispensable contribution to New Zealand writing.
Finally however, I must demur in one key respect from the design values in this collection. It’s marvelous illustrations by Glenn Otto are a kinetic calligraphy, which brilliantly complements Plumb’s own take no prisoners approach to every topic. However, in my opinion her editors should have restricted this artist’s contribution to the white spaces of the text. Plumb’s material deserves the uninterrupted limelight. She should not have to compete with Otto. Where his strokes spill exuberantly into the textual black space they return the reader’s imagination to the page surface, competitively disrupting narratives in which Plumb’s own extreme vistas and experimental narrative close-ups would otherwise offer the reader enjoyment unbounded.
Reviewed by Janet Charman
As Much Gold as an Ass Could Carry
by Vivienne Plumb
with illustrations by Glenn Otto
Published by split/fountain