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Established in 1947, Landfall continues to play an important role in supporting and showcasing writing and art within New Zealand. This autumn edition is no exception. Like unwrapping presents on Christmas Day, opening Landfall 237 reveals a wealth of artistic delight. The announcement of the winners of the 2019 Charles Brasch Young Essay Writing Competition gives this edition extra joy. The Judges’ remarks on the overall standards and in particular about the three winners, give insight into the future of writing through our talented youth. Jack McConnell’s The Taniwha, Moderation of Our Human Pursuits is included.
While I enjoyed new works from some of my favourite, established writers like Cilla McQueen’s Poem for My Tokotoko, and Peter Bland’s America, I enjoyed new ideas, rhythms and clever language constructions from some new writers.
This edition celebrates the centennial of Ruth Dallas, one of the poets most published in Landfall from 1947-66. John Geraets in Ruth Dallas’ poem Turning cleverly combines her writing with an historical and literary timeline. I liked the way this opened up her work afresh. Her poetry is all but neglected these days so it was a pleasure to see such a beautiful tribute.
The featured artists in Landfall 237 are Sharon Singer, Ngahuia Harrison and Peter Trevelyan. Again, their portfolios show a fresh approach in painting and photography.
Peter Trevelyan’s work orthodoxy (as above) featured on the last page. To me it summed up the precision and beauty of the printed word. Therefore, from the first page with promising new writers, to the final visual statement of orthodoxy this Landfall is a present worth unwrapping.
Reviewed by Kathy Watson
Landfall 237: Autumn 2019
Edited by Emma Neale
Published by Otago University Press