In 1986, Llewellyn Owen’s daughter Gwyneth Owen gifted to the Ashburton Museum assorted material relating to Llewellyn, a school teacher, private music teacher, composer, conductor, accompanist and solo performer. He lived in Ashburton from 1890 – 1917. Margaret Bean, a voluntary archivist at the museum from 1993 – 1917 began compiling some details about his life to accompany that material. That project grew to become this book.
Llewellyn Owen was the youngest son of a family who emigrated from England to New Zealand in 1879 – he was eight years old. There were four boys in the family. At a young age, Llewellyn showed considerable musical talent. He obtained music qualifications after some years of study with no clear path of instruction. He was well-liked and in many reports of concerts and social events, his talents were in high demand.
Later on, Llewellyn trained as a primary school teacher taking up a position as an Assistant Master at Ashburton School. He resigned after 18 months to persue a career in music. He then returned to teach in Lyttleton. During his career he also worked as a composer, accompanist and a conductor.
The Gates family dominated the local music scene in Ashburton and were firmly established by the time Llewellyn arrived. They remained so during his time in the town.
Richard Wood, violinist of Timaru also had an impact on the Ashburton music circles in the early 1890’s both as a performer and teacher of stringed instruments.
The Woods and Gates families both figured prominently in early orchestral performances, along with Llewellyn Owen.
Llewellyn Owen’s time in Ashburton may be divided into four periods:
1890 – 95 Appointment to staff of Ashburton District School ending as
Choir leader of the Methodist Wesleyan Choir Society
1896 – 1902 6 years of intense musical society activity marred by eye
problems – sought treatment in Europe.
1903 – 1908 Returned from Europe; marriage, birth of first child.
1909 – 1917 Visiting music teacher at local high school until his departure
from Ashburton and return to primary teaching.
Llewellyn Owen also had a number of his original compositions published. In this book seven of his musical works have been included, one of which was discovered during Margaret Bean’s research, as well as a CD of his music. The CD is included with this book.
As a non-musician I found this book intriguing. New Zealand was a very different world to today. Music was a very important part of life in small towns and cities throughout New Zealand as entertainment and as a suitable accomplishment for women, along with painting and embroidery. This book is a glimpse into the social history of Ashburton and its surrounds, and an important record of that time in New Zealand.
Reviewed by Christine Frayling
A Passionate Affair – Llewellyn Owen & Music
by Margaret Bean
Published by Steele Roberts