Being someone with a love of the USA as it was in the fifties and sixties, I had high hopes for Emma Flint’s book, Little Deaths. Set in the summer of 1965 in New York, it featured the disappearance of two young children from their home and focused on their non-conventional mother.
The book begins in prison and in a series of flashbacks we learn of the life Ruth Malone had on the outside. The freedom, the men, the stresses of caring for two children on her own, and the resentment for how her life has turned out.
Next Ruth is now being questioned by the police, and we soon learn that she woke up one morning to find her two children, five-year-old Frankie and four-year-old Cindy, missing from their apartment. She is separated from the children’s father, Frank, and the couple are embroiled in a custody battle. Ruth assumes he’s taken the kids; he denies it.
The police focus on her as their chief suspect, mainly because of the way she looks and acts. Ruth is a bright, vivacious woman who works in a bar and wears too much makeup and too-short skirts. She also has a number of male friends, something USA in the 1960’s was not always ready to accept.
In the hands of someone who knows their location well, a book set in this era in the USA is a magical thing. Emma Flint is a UK writer who lives in London. I don’t know if she’s spent much time in the USA but the scenes lack colour and atmosphere and seem forced. The parts with the journalist who takes on Ruth’s story are a bit more believable, but even then, there are some moments when you’re reminded it’s definitely a work of fiction.
I didn’t find out until after I’d finished the book that Little Deaths was based on the true story of Alice Crimmins. Out of curiosity I looked for more information on the real case and found Flint had followed the facts – very closely. I also discovered hers was the 10th fictional account of the case.
As an avid reader of true crime magazines as a teenager and with the book being based on a true story, I should have loved Flint’s book, but I didn’t. I found the book not quite satisfying and the ending disappointing, and I also felt cheated that the book was not really the work of a talented and imaginative author, but one who reworked an old story.
Reviewed by Faye Lougher
by Emma Flint
Published by Pan Macmillan