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You can lick the salt off this poetry, half expect sand to spill from the centrefold. Tim Jones’ latest collection, New Sea Land, is part history, part rattling fortune-telling. It is a slap on the face by a wet fish, a digging up of heads-in-the-sand. Jones has spied a calamity from the shoreline, an oncoming deluge. History is repeating on us, and this time the tide is coming in full.
New Sea Land is salty, but it is not your run-of-the-mill nostalgic beach jaunt. The sea and land are dispassionate players in a human-instigated ecological meltdown. Jones’ sea ‘does not mean any harm’ and his ‘sea does not apologise’. The sea is a desultory child, nibbling at the edges of things, erasing ‘Beachfront property / … with the stroke of a pen’.
Jones’ work is didactic, but not earnest at the expense of a playful image or a great one-liner. He pokes tongue at the itch for beachfront investments, and the securing of LIM reports. In a great little anachronism, Jones has Noah’s (of the Ark) carpenter crew curse ‘zero hours contracts’ and swim away from the job. Then there’s an alternative history played out, wherein Captain Cook and Dracula take ‘tea and blood together’ in Kealakekua Bay. It is all fun-and-games, but the broader picture is sober and confronting.
The world is falling apart at its seams. This is a New Zealand where climate change is playing out. The sea floods Lambton Quay, rolls over childhood homes, and meets householders at their doorsteps. People are left with new geographies of which to make sense. Jones gives us a periscope to a time where myopic vision has crystallised into something tangible. It is only once the impact is ostensible that we realise we ‘backed the wrong horse’.
There’s a passing of the torch, from one generation to the next, but one gets the sense that the flame has gone out. Jones’ people are asleep or in denial. They leave a legacy of rash decisions, a lack of investment in a future beyond their own:
‘You slept until you lost the path,
and woke to find your children’s path
blocked by rocks you long ago set falling’
New Sea Land glances backward, as much as it forecasts. It reflects on history, memory that ‘renders everything askew’. Jones stresses the importance of cognition of times-gone-by, in the navigation of a future. His people, though, are ‘so eager to obliterate the past’ that they ‘wash away the stepping stones’. Condemned to repeat past error, through disavowal of history, we find ‘all our futures / are hostage to our actions’.
Jones’ poetry is a caution and a premonition. ‘Nature doesn’t stuff around’. The sea and the land couldn’t care less about where we’re heading. Jones writes so well, you might lose sight of the fact you’re getting cold water thrown at you. You can lick the salt off this poetry, by all means. But Tim Jones doesn’t give you halcyon coastlines or ice-lollies on the beach. This is poetry that knows what’s coming, and insists you ‘keep your life raft close at hand’.
Reviewed by Elizabeth Morton
New Sea Land
by Tim Jones
Submarine (an imprint of Mākaro Press)