Book Review: Gabriel’s Bay, by Catherine Robertson

cv_gabriels_bayAvailable in bookshops nationwide.

At 426 pages, Gabriel’s Bay is a book that promises to fill a good few hours of reading time. So well written are the characters and the lives they lead, that I read it in just one and a half days. Catherine Robertson tells us in the book’s accompanying media release that she decided, after three hilarious chick-lit style novels, to try a new tack, focusing on what she feels good at: humour, characters and dialogue. As these are the things that most interest me when well executed, I can say that Catherine has succeeded in her stated aim.

I like that the novel is set in a recognisable New Zealand. The character who holds the whole cast together is a young man from the UK who, after making a shambles of his life at home, answers an ad for a home help in the small township of Gabriel’s Bay. Unlike some books of similar ilk, the people who live there are not cheerfully stoical and determinedly positive. They are a more realistic portrayal of the people who live in the little townships down the road from where you live, or perhaps, even, your next door neighbours in your own little township.

We get to know the characters well as as the young man becomes involved in the fabric of the village throughout the novel. Issues that we are familiar with in our own lives are dealt with in a way that fit into the story being told without dominating it or detracting from the tension the reader experiences.

Not all the ends are neatly tied at the finish just as they never are in real life, but the author has written a book that is so well tuned to real life that I, as the reader was satisfied that the characters had ended their tales on a note of optimism. I identified with each and every one of them, even the not so nice, and to me that is the mark of a story well told.

New Zealand can be proud of the work of our authors and poets. Catherine Robertson has written a novel that testifies strongly to that. I look forward to reading more of her work.

Reviewed by Lesley Vlietstra

Gabriel’s Bay
by Catherine Robertson
Published by Black Swan
ISBN 9780143771456

Book Review: Gallipoli, by Peter Fitzsimons

Available now in bookshops nationwide.cv_gallipoli_fitz

Peter Fitzsimons’ Gallipoli is very Australia-centric. This is one of most intriguing aspects of the book.

It does not try to suggest that only Australians fought at Gallipoli, but the flavour, the perspective, and the prose all have an Aussie accent and use of words − sometimes stark and brutal, other times colourful − that could only be from one country and one time.

There have, of course, been many books written about this failed military adventure, but this is not just “another Gallipoli book”. It is a fascinating, highly informative book, with deep emotive characteristics. The latter is something Fitzsimons is famous for. His other books, such as Kokoda, describe events now etched deeply into Australia’s culture.
Gallipoli is a lengthy tome, at 824 pages, including notes, references, bibliography and index. This may seem overlong. But Fitzsimons puts the landings at Anzac Cover and Cape Hellas and the subsequent eight months of bitterness, into the deep context of the politics that surrounded the ill-fated campaign; including the failure of the British and French navies to break past the Turkish guns lining each side of the Dardanelles, immediately prior to the campaign. He captures the historic context of Turkey as the Ottoman Empire is failing. The politics from the British, Australian and Turkish perspective are woven into the story, in relation to each significant point in the book. Thus, Churchill gets a bad rap, and Kitchener’s refusal to order the right type of high explosives, is one cause of his eventual downfall.

Of course, all of the familiar Gallipoli stories are covered. Did the landings take place at the right place? Probably not, if one of the simple maps included in the book is accepted. The “burial truce”, when Turks and Anzac worked together to bury their mountains of dead is another example of a familiar story. Although these and similar events are basically familiar, Fitzsimons adds considerable detail, often omitted from other accounts.

The oft-told story of the withdrawal of the ANZAC, Indian and British Forces from ANZAC Cove is an intriguing example of the added detail that Fitzsimons has brought to bear from his obviously extensive research, using archives, battlefield reports, and personal diaries and letters from every level of the combatant armies – from Turkish and Anzac privates to Imperial generals, politicians and journalists. The intensively detailed planning by Lieutenant-Colonel Cyril Brudenell White, one of the few officers that gets a good rap throughout the book, is illuminating to read, and the fact that it was so carefully and successfully followed by the evacuating armies is astounding.

There are many personal accounts and human touches from both sides of no-man’s land woven into the overall narrative. And the epilogue traces many of the characters, both ANZAC and Turk, beyond the Gallipoli experience to their respective post-war fates.
This may be an Aussie-centric book, but it adds to the overall understanding of what, why and how the Gallipoli campaign was fought and how the ANZAC legend was created.

Reviewed by Lincoln Gould

by Peter Fitzsimons
Published by Random House
ISBN 9781741666595

Book Review: The Forbidden Library, by Django Wexler

Available in bookstores nationwide.

Imagine a library where, if you begin reading a cv_the_forbidden_librarycertain book, you step right into the world that book is describing. Imagine, if you will, a library which boast talking cats, demons, fairies of the wicked and peculiar kind, a mysterious and generally unseen uncle. Imagine being someone who has the ability to get right into the story, physically.

That person is Alice and she is a Reader, although she does not know this.

Shortly before her father disappears, Alice overhears a conversation between an evil fairy and her father. Immediately thereafter she is sent to stay with her uncle Jerry, whom she has never met. He owns a remarkable and mysterious and enormous library and Alice – by accident – discovers that it holds tremendous power in its volumes.

Django Wexler has an amazing imagination, and although the story is far-fetched, it is of course fantasy so pretty much anything goes.

I found the book fun, quirky, and quite well-written, although the characterisation could be more developed.

I think younger readers who enjoy Neil Gaiman and maybe Phillip Pullman will find this an interesting diversion.

Apparently there are to be further stories about Alice and her adventures as a reader. I am keen to hear what young readers think of this book, and whether they’d like more.

Reviewed by Sue Esterman

The Forbidden Library
by Django Wexler
Published by Random House
ISBN 9780857532886

Book Review: Drowning City, by Ben Atkins

Available now in bookstores nationwide.

cv_drowning_citySet in the time of tough liquor laws, a heartbreaking depression and all that Jazz…this first novel is a winner from beginning to end. Atmospheric, easy-to-read, well drawn characters, great plot line, there is nothing not to like.

In this pivotal, dangerous and exciting time, no one had more power than the bootlegger. And no one suffered more from interference in their business dealings than those who operated under the radar. In situations of hypocrisy and double dealing, it was the bootlegger whose avenues of trust were severely compromised. Fontana, this books main character, finds himself in exactly the kind of situation he doesn’t want to be in. Scrambling desperately to find a solution, his coolness on the outside is not reflected on the inside, the journey to find answers escalates and Fontana finds himself sucked into a vortex of political intrigue and criminal overload with no sure way out. The characters he encounters are murky to say the least. They are well drawn by the author, believable − and in all their tattered glory, they fit.

This book is Fontana’s journey, and he carries the lead very well. The supporting characters add to and enhance the journey, and the place and time in which the book is set has been well researched. Having read countless books set in this era, both fiction and non fiction, I feel I can say that Ben Atkins has got it right.

This book was an easy, engaging and satisfying read, it was well paced and very hard to put down. I certainly hope that Ben Atkins writes more novels in this genre, he has an aptitude for it and at 20, a long future in front of him.

Reviewed by Marion Dreadon

Drowning City
by Ben Atkins
Published by Random House
ISBN 9781775535522

Book Review: Everything I need to Know I Learned from a Little Golden Book, by Diane Muldrow

Available in bookstores. A current top-10 bestseller.

This book is a well-published gift book which has moments of warmth and humour. cv_everything_I_need_to_know

Diane Muldrow is a long-time editorial director at Golden Books, and has written many children’s books herself. Her preface delineates her market: ‘Our chickens have come home to roost, and their names are Debt, Depression, and Diabetes.’ She goes on to wonder how we got so off track, earmarking favourite characters like Scuffy the Tugboat, or the Poky Little Puppy, as she writes.

I will be honest and say that a few of the points of advice (as well as the preface) made me cringe. The book assumes that everybody does the same thing – grows up, gets married, has a family. It also, perhaps due to the different eras the images necessarily come from, assumes that mum stays home and does the vacuuming in a nice dress. While I understand it is meant to be warm and humorous, it just seemed a bit too sincere to be read this way. I did love the golden books as a child, and I read them to my children, but the advice in this book was off the mark for me. ‘Sweatpants are bad for morale. Put on something nice!’

For all this, the selection of images in compliment to the advice is very well done. Seeing my old friends the Colour Kittens and Mister Dog used to demonstrate certain pieces of advice is neat. I particularly like the spread of Chicken Little, used to illustrate ‘Steer clear of shady characters’ – with the fox waiting behind a tree ahead.

While I don’t get the joy that many other reviewers have gleaned from this book, its charm speaks louder than the words inside.

Reviewed by Sarah Forster

Everything I need to Know I Learned from a Little Golden Book
by Diane Muldrow
Published by Little Golden Books (Random House)
ISBN 9780307977618

Book Review: Longbourn, by Jo Baker

This book is available in book stores now.

It is a truth universally acknowledged that a fan-fiction authorcv_longbourn in possession of a Pride and Prejudice story must be in want of a publisher – not to mention a movie studio.

It is an extraordinary tribute to Jane Austen and the power of her writing that now, two centuries on, readers and writers across the globe are still wanting to inhabit the world she created in Pride and Prejudice. There is a strong tradition of sequels, translations and reinventions of this classic tale, and the latest in this line is Longbourn by Jo Baker (published by Random House), which retells the story from the perspective of the servants. Longbourn, much like that other famous piece of Austen fan-fiction, Helen Fielding’s Bridget Jones’s Diary, has been very popular and is due to be made into a film.cv_bridget_jones's_diary

Fan-fiction has a slightly strange place in the ecosystem of books. Many shy away from the term, which is broadly used to describe the process whereby writers set their stories in the worlds of other authors’ books, often using other authors’ characters, and sometimes inserting themselves as a character into the story (this last is known as Mary-Sue fanfiction). And it is true that, especially since the advent of the internet, and consequent ease of self-publishing, there is a plethora of poorly written wish-fulfilment drivel out there, a significant proportion of which is pornographic. But fan-fiction also has a higher calling. Writers being inspired by other writers forms an integral part of any literary tradition, with significant works echoing down the generations and growing in the retelling. With modern copyright laws, most of the fan-fiction that gets made into books by publishers is based on the works of writers long dead; a notable exception being Fifty Shades of Grey, which is openly Twilight fanfictiocv_fifty_shades_of_greyn with the names changed to avoid lawsuits.

Longbourn, Baker’s fifth novel, is a well-written and enjoyable piece of Mary-Sue fan-fiction. Baker, a lifelong fan of Austen, had ancestors in service, and was thrilled to discover from one of Austen’s surviving letters that she once employed two Baker sisters to do some sewing for her. “For me, it was a goosebumps moment” says Baker. “It seemed to give me permission to write.” Baker has put her writing talents to good use, imagining herself into the story as Sarah, a housemaid in the Bennets’ home. She says that writing Longbourn was like a dream come true: “to inhabit this much-loved world, to keep company with these characters…it was so much fun.”

Sarah’s life of drudgery is vividly drawn, and Baker succeeds in making us understand just how precarious were the lives of the poor in Regency England, where livelihood and shelter could be arbitrarily whisked away at a word from someone higher up the class system. It gave a whole new layer to the Bennets’ anxiety about the entail: when Mr Collins inherits Longbourn, will the servants still have jobs? A home? Where I thought the reimagining fell down, however, was in giving Sarah too much of Baker’s own twenty-first-century sensibility: Sarah’s outrage at the class system, racism, domestic service and foreign wars feels too modern for an uneducated nineteenth-century teenager whose entire life has been spent in one country village.

As a reader, one of the joys of well-written fan-fiction is seeing beloved and familiar characters from a different angle, and Baker achieves this with aplomb. Her Darcy, seen through servants’ eyes, is frighteningly detached, utterly resistant to the notion that servants might be people with opinions and lives, and is described several times as failing to see Sarah at all, as though she had been literally – as well as socially – invisible. Baker’s Lizzie, although kind in a rather offhand manner, is basically ornamental, and scared of the responsibilities she inherits upon becoming Mrs Darcy. But where Baker really shines is with her reimagining of Wickham. Rather than a charming rogue, her Wickham is a genuinely menacing sexual predator, whose advances towards the prepubescent housemaid Polly become even more frightening as we realise that, as a servant, Polly has absolutely no one to protect her.

Overall, I would recommend Longbourn to Austen fans and lovers of historical romance. The writing is engaging and the plot, if rather wish-fulfilment-driven, is narratively satisfying. Longbourn is, at its heart, an act of love.

Reviewed by Elizabeth Heritage

by Jo Baker
Published by Doubleday

Book review: Dear Vincent by Mandy Hager

cv_dear_vincentThis book is in bookstores now.

I was drawn to the bright cover of this book, but immediately fearful that it might be a dark teenage read about suicide. It most definitely is not the latter, and I should say at the outset that I loved it. I loved the story, I loved the characters and I loved that it made me cry.

The book’s main character is 17 year old Tara, an ordinary young woman with extraordinary artistic ability. Her family background is bleak – there is not just financial poverty but a poverty of spirit, which is not quite explained until near the end of the book. Tara’s mother is emotionally hard, brutal to her daughters, and pretty unlikeable. Her father is bed-ridden by a stroke. Tara and her mother are the main bread-winners and care-givers. Northern Irish immigrants they are making the most of their lot, but sadly leaving the emotional needs of their two daughters unmet.

One of these daughters has already removed herself from this world, and Tara with a robust fascination with Vincent van Gogh finds herself unravelling both van Gogh’s tragic life, and her sister’s short life (conveniently named Van) at the same time.

This book has a theme of death running through it – both self-inflicted and natural – but it never becomes burdensome or heavy to the reader, although it does for Tara who does tackle it head-on.

Tara and her family are utterly believable, and the story that unfolds helps to explain why Tara’s family are paralysed by their own lives. Tara however is a survivor, and she finds support where she needs it, and crucially when she needs it the most.

This is a powerful and emotional story, with characters that felt real, and a resolution that was satisfying and believable, and just unanticipated enough to be a surprise.

Reviewed by Gillian Torckler

Dear Vincent
by Mandy Hager
Published by Random House
ISBN 9781775533276 (paperback)
ISBN 9781775533283 (e-book)

Book review: The Nature of Ash by Mandy Hager

cv_the_nature_of_ashThis book is in bookshops now and is a finalist in the New Zealand Post Children’s Book Awards.

The Nature of Ash by NZ author Mandy Hager is a thrilling read; a finalist in the New Zealand Post Children’s Book Awards in the Young Adult category. It tells the story of Ash McCarthy, who is enjoying living in a student hostel. When the police make a visit to the hostel, his life is changed forever. His father has been killed by a bomb that destroyed his workplace.

Ash returns home to Wellington, to his little brother Mikey who has Downs Syndrome. Still trying to understand what has happened, Ash stumbles on several threat letters and a hint that his long-dead mother may in fact be alive. While his world is turning upside-down, the outside world is too; New Zealand is on the brink of war.

Suddenly no-one can be trusted- Ash finds himself fighting to protect the lives of Mikey, himself, and friends Jiao and Travis. Drowning in mystery and lies, Ash must learn the truth, or lose everything. As the urgency of their escape grows, the stakes become higher and higher. Danger laces their mission to survive- and the enemy could be anyone…

The Nature of Ash is a phenomenal book, which deserves the highest praise for its wonderful characters, unique voices and almost-unbearable suspense. With a fast pace that has you racing to reach the end, the tension and thrills of Mandy Hagers’s novel are sure to grip its’ readers.

You will be stunned by the sharp twists; this chilling roller-coaster read will have you on the edge of your seat. I highly recommend The Nature of Ash to older teens – adults, too- this is not a tale you will forget in a hurry.

Reviewed by Tierney.

The Nature of Ash
by Mandy Hager
Published by Random House
ISBN 9781869799038

Book review: Red Rocks by Rachael King

cv_red_rocksThis book is in bookshops now and is a finalist in the New Zealand Post Children’s Book Awards.

It takes quite a lot of trust and faith in your reader to mix a thoroughly ancient legend, in this case about mythical selkies, with a modern of coming of age story. Half of the main characters in this book by Rachael King are in fact seals; seals that, in keeping with Scottish legend, turn into beautiful young women when they cast their skins aside to walk on land. The mythical selkies. The other characters are one half of a modern day separated family trying to get on with life as best they can. It also takes a good storyteller to pull it off.

Surprisingly perhaps, I found myself suspending disbelief; and I became entranced by this book and its characters. And it happened so subtly that I didn’t even notice. The main character Jake is a little lost – his parents are divorced, his mother remarried with a new baby. He visits his father who is living a nomadic writer’s existence on the Wellington coast. But the school holidays are never much fun without friends, so the adventurous Jake takes off to explore the rocks of the Wellington coastline. He makes friends with another equally lonely young girl and an old man and attracts the interest of some local bullies. But it is when he finds an abandoned seal skin which he hauls home that the trouble really begins. The taking of the skin is the key turning point in this book as it unravels the story and importantly prevents its rightful owner from going to back to the sea.

Hindsight is a great thing. And of course, I can tell you now that I knew all along which characters were human and which were seals, but what’s clever is the way this realisation subtly unfolds. There is not a moment of mass revelation, you just suddenly begin to understand who the characters are and how they inter-relate and it feels natural. I guess that’s why it easy to believe in all of the characters in this book; they just work.

Interestingly, I just handed the book to my eleven year old saying it was great and I think you will like it. He read the back (which mentions seal skins but nothing about selkies) and he asked “What’s up with selkies? This is the third book this year that’s had slekies in it.”

Really? I had no idea. Apparently, his teacher has been reading these books to them in class.

“What time period have they been set in?” I asked.
“Ancient of course” was his reply. “And all in Scotland.”
“What about one set in Wellington in modern times. Could that work?”
“Hmm, maybe.”

But there is no maybe about it. This book works and it’s a gripping page-turning tale.

The book should appeal to any reader (young or old) who is able to suspend reality briefly, but after all isn’t that what reading is all about?

Reviewed by Gillian Torckler

Red Rocks
by Rachael King
Published by Random House
ISBN 9781869799144 (paperback)
ISBN 9781869799151 (e-book)

Rachael King has a secret and she’s ready to confess…

I have a confession to make. I took another person’s words and I put them into my book without attribution. So far nobody has called me out on it, not even my editor, who is renowned for having an eagle eye in such matters.

These are the words that I paraphrased: I baited my line, watched it sink, and waited with exquisite anticipation for the pecking of mullet, the sucking of trevally, or – best of all – the sudden pull of kahawai or kingfish.

Ring a bell? These words sit above Wellington harbour, as part of the Wellington Writer’s Walk, and they were written by my father, the late Michael King.

Let me explain myself.

There’s a picture of me, aged about seven I guess, proudly holding up two (admittedly rather small) kahawai by the gills, with a big snaggle-toothed grin on my face, while my brother serenely gazes at the camera with a rope swing between his legs, about to leap off into the abyss. I look at that photo now, with our home-knitted jerseys and flared jeans, and think that it sums up a pretty idyllic New Zealand 1970s childhood experience: bare feet in winter; haphazard haircutting practices; homemade, death-defying swings on macrocarpa trees; and nature, lots of nature.


The photo was taken at Paremata, near Welington, where Dad lived for a time in a two-bedroom rented cottage, with a steep track down to the beach. Jonathan and I slept in bunk beds in the bedroom; Dad slept in a double bed in the living room, and used the other bedroom to write in. It was while living there that my dad taught me how to row a boat, and to fish. He taught me not to reel my line in every time I got a bite, but to wait patiently until the fish was truly hooked, when the rod would dance in my hand. He taught me how to identify varieties of fish. The silver ones were yellow-eyed mullet. If they had yellow spots they were kahawai; but not too many spots or they were spotties, which also had jagged dorsal fins and were inedible. We threw those ones back. If the fish had ridges along the tail so its cross-section was diamond-shaped: trevally.

When it came time to write my first children’s book, how could I not suffuse it with all of those experiences? They were so much a part of my growing up that I couldn’t write what I knew without involving the sea.

And so Jake in Red Rocks goes and stays with his writer father by the sea and his father takes him out fishing. And as I wrote that scene I wanted to put a part of my father in it, and so I took his words, and I gave them to Jake:

“His hands were cold as they gripped the rod, but he felt such exquisite anticipation, it didn’t matter. What would find his bait? Would he feel the sudden pull of kahawai? Or the pecking of a mullet?”

I put them in there not because I couldn’t think of my own words to use, but because my dad isn’t around to read my book and this is how I made up for that fact. It was my little secret; my homage to the man who had given me the experiences I was now giving to my characters. And happily, as his literary executor, I was able to give myself permission to use those words.

There’s another picture of me. I’m sitting next to Dad’s quote on the Wellington Writer’s Walk, not long after it was installed. It’s late 2006 and I’ve got my first baby son in a sling and I’m smiling at my aunt Gerri, Dad’s sister, who is taking the picture. Soon after this picture was taken, I walked that baby around the South Coast of Wellington, and an idea came to me about a boy finding a sealskin in a cave, taking it home, and hiding it under his bed. I like to think that in this photo, that story is a twinkle in my eye, and that the quote is already working its way in there.

rachael-king-at-seatBy Rachael King, author of Red Rocks.

Red Rocks is a finalist in the New Zealand Post Children’s Book Awards.

Red Rocks
by Rachael King
Published by Random House
ISBN 9781869799144