Book Review: That F Word, by Lizzie Marvelly

Available in bookshops nationwide.

Icv_that_f_wordt seems like Lizzie Marvelly is someone everyone has an opinion on – a tall poppy who is poking sticks at a vast range of societal issues which are pertinent not just to the sexual and emotional health of women young and old, but also to those in the LGBTQIA community, as well as to men young and old who she sees need to be re-educated on how to treat women and girls in our society.

I also suspect that there is a feeling there too, of how dare she – a talented, privileged middle class girl who has been wildly successful as an international recording artist and who has performed at the Royal Albert Hall, suddenly turning her nose up at all those who put her there, supported her, bought her music, watched with tears in their eyes as she proudly sang the national anthem. A slip of a girl suddenly coming out with all this feminist zealot stuff, ranting, exclaiming and sweeping the curtains open, on all issues relating to being female in the 21st century. And that of course is her very point – her branding has needed re-branding to expose some much needed truths about the type of society we are currently living in, and whether this is what we really want for our children. Whether people like it or not, this young woman is challenging us to take a closer look at the community we live, work, socialise and raise our children in.

I knew I had to read this book with a very open mind. I am not the target demographic that she has written for, but I have grown up in and lived in NZ for most of my life, so understand the culture she is talking about and can identify, some of it from personal experience, with much of what she has to say. I also have two daughters in their early 20s, navigating the society that Lizzie is writing about, in fact her whole section on rape culture is something that a young woman we know is currently having to deal with. So extremely topical. How does she do?

Overall I think she has done very well. She is an excellent writer, does a superb job at getting her point and argument across with many illustrations and examples to support what she is saying. For someone so articulate though, with a great command of the language, I was annoyed at the overuse of the F-bomb especially in the first few chapters, and that word is not ‘feminist’ or ‘female’! I see her point – she is very angry. By crikey she is angry, angry at the sexist treatment she has received from boys at school, young men, people of power in the recording industry. And above all the insidious damaging power and reach of the internet.

It has to be said that her path to adulthood has not been the norm, and as interesting as it is, I do wonder how relevant or topical it will be to the majority of young women who may start to read this book. I doubt very much the average 29-year-old has accumulated such a range of life experience. I gave the book to a 16-year-old girl to read; she has read the first couple of chapters and is already bored with reading about Lizzie’s life to date, none of it really relevant to her. I am telling her to keep going, it gets better!

However her story does the set the scene, it being her own personal experience of much of what she writes about in the rest of the book. Once I had got through the first third to half of the book, she really pulled the guns out focusing on how girls and young women in NZ are portrayed in the media, advertising, social media, broadcasting, the perils of having the courage to have an opinion, the access of impressionable young teens to on-line porn (and we aren’t talking Playboy or dirty videos), the rape culture so deeply embedded in our society, abortion, the patriarchy. Not much of it is good I am afraid, it’s a scary world out there for young women.

And this is why I think it is an important book for the young women in our families and friends to read. Young women need to know that what they are seeing, reading, listening to, having to deal with in their social/sexual/work lives, is not uncommon, that many others are having similar experiences and reactions to it. This book will normalise the experiences that many, many women in New Zealand have experienced. There is power and reassurance in the sharing of information. There is no big call for unity or protest marches or petitions to Parliament. But there is power in knowing that you aren’t alone when unpleasant or bad stuff happens.

My one criticism – the title puts people off. I work in a bookshop and we haven’t sold a single copy, even though the book is right at the counter. There is no way people are not seeing it – based on the comments people make about Lizzie, her newspaper column, her persona. My theory is that it is actually that word ‘feminist’ putting people off, and my 21-year-old daughter concurred.

But don’t let this ‘judging a book by its cover’ put off the young women in your life or yourself for that matter, from reading this. In light of the #metoo movement, the ongoing drive for pay equality, the anxiety and self esteem issues many women have about their image, the savagery and trolling on social media/internet to anything related to female empowerment, I think this book is compulsory reading. Go Lizzie!

Reviewed by Felicity Murray

That F Word
by Lizzie Marvelly
Published by HarperCollins
ISBN 9781775541127

WORD Christchurch – 125 Years: Are we there yet?

WORD Christchurch 2018 – 125 Years: Are We There Yet?

An anthropologist, a human rights activist, a journalist, an academic, a musician and a broadcaster all walk into a concert hall to discuss the question ‘Are we there yet?’. At this sold-out session commemorating 125 years of women’s suffrage, the collective response was as to be expected: no. The talk was more centred around– as the whip-smart Kim Hill had suggested in her introduction – where ‘there’ actually is. After all, she added, ‘Feminism is like housework – every few years we need to do it all again.’

125-Years-SuffrageKeeping the house tidy last night were a range of feminists, spanning years and backgrounds, who came at the ‘no’ from different directions. Dame Anne Salmond took a wide view and covered the ground lost in an unequal system. After time overseas, she had returned to New Zealand some thirty years ago to find a country reshaping its institutions to the benefit of individuals. This ‘hyper individualism’ rippled out into society, where individual achievement was equated with fulfilment. Women had new freedoms but it had cost a lot: ‘Workplaces became more ruthless and transactional’; our capacity to care for others was endangered.

Trailblazer Georgina Bayer traced the momentum of the last 125 years, highlighting moments of quick transition and great traction, exemplified by the time when women held the five top constitutional positions in the country. This spoke to the importance of the visibility of women in power and petitioned us to think about Georgina’s own lived experience – to consider the role of bold individuals who have forged these paths.

At this point Kim skilfully steered the conversation by positing a problem: we have had the top positions, but we are still not there yet. So, what do we need to do? Attributing the following quote to Gloria Steinem, she suggested that it was ‘not a question of having a bigger slice of the cake, but that we have to remake the cake altogether’.

Part of this, perhaps, is changing the ingredients – moving beyond binary arguments, which is how journalist Paula Penfold began. She brought some stats and facts to the table via a listicle, where for every positive, a negative emerged too. The good news: at Stuff, the CEO is a woman, as is 50% of senior executive, but out of 143 CEOs in Aotearoa, only 4% are women. In terms of gender pay equity things are progressing but a recent report on pay parity states that we are unlikely to achieve this until 2044. Kim suggested there would be little chance for pay equity until private companies are transparent with what they pay people. Problems remain while they are hidden.

Next was the impressive, fluid and cohesive response from Sacha McMeeking. She acknowledged all those women who had gone before, who made it possible for her to be born into the ‘girls can do anything’ time. She was inspired to be one of those who forged human rights, but no longer believes that these alone can change the world. The time for grand normative debates has passed; we need to focus on creating social habits. Sacha pointed to economic injustice and violence: both are embedded issues that are not solely produced by gender – rather they result from our economic, justice, education and mental health systems, which need an overhaul.

Finally, Lizzie Marvelly – musician, columnist and the youngest on stage – took the mic. Her account of her experiences provided a depressing reality check of where we are at now. She had many ‘amazing opportunities’, many tainted by blatant sexism. Lizzie also pointed to inequalities in the stories women tell about women – we all know Kate Sheppard, but few of the Māori women who have laid the groundwork for us today.

Before handing over to questions from the (mostly female) audience, Kim asked about choice. Is everything a feminist act if choice is involved? Lizzie responded that if the choice isn’t about equality, then it isn’t feminist. Privilege, the need for care and how to allow for agency were all touched on in question time. But common to all panelists was the belief that we need more than rights; we need to address the structures; we need outcomes. ‘Multivariate problems call for a variety of solutions’. The cake must be remade.

Reviewed by Emma Johnson

Georgina Beyer appears in the session ‘Comfortable in Your Skin’ tonight

That F Word
by Lizzie Marvelly
published by HarperCollins NZ
ISBN 9781775541127Li

Jamie Curry and Mallory Ortberg: Life Online

pp_mallory_ortbergI am a huge fan of Mallory Ortberg (right). If you have not yet discovered her series Two Monks
Inventing Things
on The Toast, good news: it exists, and you can read it now. Even better news: Ortberg is an incredibly prolific author – writing three posts for The Toast every day, plus the Dear Prudence column for Slate magazine, plus her second book – enough to keep you busy for a good while. If you only have a little reading time today, don’t read this review, read Mallory Ortberg.

I hadn’t heard of Kiwi YouTube star Jamie Curry (below) until recently, when she brought out her book, They Let Me Write A Book! To prepare for this session I watched a couple of her videos: they’re pretty funny and cute. I can see why they’re popular, especially with teenage girls. Her style reminded me of Nothing Much To Do, the web series retelling of Much Ado About Nothing set at a present-day NZ high school (which is excellent and I recommend it highly).

pp_jamie_curryOrtberg and Curry were in conversation with Lizzie Marvelly at the Embassy Theatre. It was great to see lots of school students present, and the session opened with Louise O’Brien announcing the launch of the Hooked on NZ Books website, where young Kiwis can submit their reviews of NZ YA fiction.

Getting the chemistry between chair and speakers right is a very fine art, and, in this instance, it didn’t quite gel. Marvelly admitted it was her first time chairing a panel and it showed: her questions were fairly run-of-the-mill (“what do you think of New Zealand?”) and she would interrupt her guests to agree enthusiastically and chip in with a story of her own. Nonetheless, it was an enjoyable session: Ortberg was really funny and Curry came across as a well-intentioned and thoughtful young woman.

Ortberg spoke frankly about how she didn’t grow up wanting to be a writer, saying “When I was a kid I wondered if I would have chips in my lunch” before commenting wryly that from great pain comes great art. She wasn’t the type that is “happy to live in a pterodactyl’s nest” in order to pursue their art. Instead, she graduated into a “horrible recession” and was grateful for what employment she could find: “stable employment is not the worst thing that can happen to you”.

Ortberg says the thing that inspired her to start The Toast (with co-creator Nicole Cliffe) was having the money to make it happen: “you don’t have to be a driven person with an amazing business plan; accidents happen”. Her favourite part of this “dream job” is job security: “but I’m fully prepared for everything to go away”. The worst part is “having to buy my own health insurance … I can afford to get moderately ill, but I’m not bus-accident rich.”

And more good news for everyone in Wellington: Ortberg has another Writers Week session tomorrow morning at 9:30I’ll see you there.

Attended and reviewed by Elizabeth Heritage

Jamie Curry and Mallory Ortberg: Life Online
The Embassy, 10 March 2016
NZ Festival Writer’s Week

BOOKS:
They Let me Write a Book! 
by Jamie Curry
Published by Harper Collins NZ
ISBN 9781775540878

cv_texts_from_jane_eyreTexts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters
by Mallory Ortberg
Published by Little, Brown
ISBN  9781472150738