Book Review: Scarfie Flats Of Dunedin, by Sarah Gallagher with Ian Chapman

Available in bookshops nationwide.

cv_scarfie_flats_of_dunedinJust mention the words ‘Toad hall, ‘The Dog Box’, Footrot Flats’ or ‘Shrieking Shack’ to anyone who has studied at Otago University and these legendary flats will trigger a hilarious yarn or two of escapades during their scarfie days.

In 2000, while studying at the University, Sarah Gallagher was preparing a presentation on the theme of ephemera, and felt the signs on flats she walked among everyday were just what she was looking for. Scarfie Flats of Dunedin is a result of the eighteen year research project, ‘into the flats, their tenants and their tales’. Gallagher collected more than 600 names, the earliest dating back to the 1930’s , and these have been recorded in the rear of the book, as well as a map of the area noting the locality of all the featured flats.

Having been a student in Dunedin in the mid 1960’s I was intrigued by this title and keen to delve into the student sector of the city again. Many flats seem to be the same as when I left. Of course I have continued my connection with having two daughters study there and now my first granddaughter has recently graduated as a doctor, so we have seen some changes, but more likely just a coat of paint.

This hardback book has sat on my coffee table for a month and I have enjoyed the nostalgic journey with Sarah Gallagher as she learned how the flats got their names and who might have lived in them.

Interesting to see the TV Ones Seven Sharp programme visit one such flat recently, 660 Castle street, where the band Six60 had its beginnings in 2006. The boys had spent time jamming in their rooms at UniCol and ‘thought it would be good to flat together and get a band going’.

Other contributors have also added their point of view along with Dr Ian Chapman and the photographs brought it all together for me. Our family has pored over these with many a laugh and story.

Scarfie Flats will be enjoyed by many ages, as it is an engaging read, and well researched, a valuable record for Otago University but would sit well on everyone’s coffee table.

Reviewed by Lesley McIntosh

Scarfie Flats Of Dunedin
by Sarah Gallagher with Ian Chapman
Published by Imagination Press
ISBN 9780995110441

Book Review: The Dunedin Sound: Some Disenchanted Evening, by Ian Chapman

Available now in bookshops nationwide.

cv_the_dunedin_soundEven though I was  born and raised in Dunedin I have to say the phrase “The Dunedin Sound” is completely new to me. Not being from the generation that encapsulates that label is perhaps a contributing factor, but I have come to realize that it is a fascinating subject and The Dunedin Sound by Ian Chapman has been a learning curve for me in music coming from my own hometown, during what is largely considered to be the greatest era of music.

The Dunedin Sound delves into 17 bands that were and are closely associated with the sound, providing background and explanations about the bands along with corresponding pictures that speak volumes. Amongst those we find written contributions from people that in some way or another have a connection to The Dunedin Sound. Their experiences vary greatly, as of course does how they personally view the music attached to The Dunedin Sound, but that is what gives the book a deeper meaning (rather than just biographies of some old bands that a few people want to reminisce about). It was reading about what attracted these people in the first place to the music, that makes me want to explore the treasure created in my backyard, hidden to my generation as the result of decades passing. Ian Chapman chose his contributors extremely effectively; they range from critics to fans to musicians, to music writers and more. All have a different take but all are united on the front that a vast majority of ‘80s bands from Dunedin had something special.

Throughout the book the snapshots and newspaper clippings, as well as posters (many of them hand-drawn) and the odd scribbled note here and there really made it feel like you had opened a time capsule from those days – a very well-presented and preserved one. One writer in the book talks about how ‘those days are gone now and, as is inevitable, a mythology is created and sold.’ The writer then makes the point that The Dunedin Sound is part of that, ‘but in it, relics are left to tell their own stories’, which is exactly what they do.

The only exposure I had personally had to the music written about was listening to ‘Pink Frost’ by The Chills, and it has only been since reading this book that I clicked that The Chills were a Dunedin band. But I have now discovered The Verlaines, Sneaky Feelings, more fully The Chills and I know there is much more yet to explore. Ian Chapman and his many contributors have provided those like myself with the insight of what the Dunedin music scene was made up of in the ‘80s and has already proven to be an excellent guide in my initial introduction to The Dunedin Sound. He has also given many others the opportunity to revisit times passed, giving extra information about bands that they might have known and seen perform, and in that way provided a tribute to the bands of The Dunedin Sound but also to their loyal followers.

I would highly recommend this book thanks to this dual appeal, and Chapman achieves this without making his aims obvious: The Dunedin Sound is blunt in it’s truthfulness. In my opinion, those who are familiar with the books subject matter will appreciate that, and for the others who aren’t, it will prove to be a reliable source of knowledge about the esteemed Dunedin Sound.

Reviewed by Sarah Hayward

The Dunedin Sound: Some Disenchanted Evening
by Ian Chapman
Published by David Bateman Ltd
ISBN 9781869538958