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I’ve been following Nina Powles’ work since 2014, when her first book Girls of The Drift was published by Seraph Press. She produced the zine (auto)biography of a ghost the following year.
Poems from these works have gone on to form part of the unique collection that is Luminescent. It is an unusual and striking thing – not just one book, but a series of five presented together in a single folder. The Seraph website says they’re designed to be read in any order.
The first time I opened the book, (Auto)biography and Her And The Flames were last, which made sense to me these felt like earlier work chronologically. I began with The Glowing Space Between The Stars.
One of the things I find interesting about Nina’s work is that it draws on extensive research, and while she touches on personal experience, it’s not confessional, at least not in an obvious way. Don’t get me wrong, I love confessional; I’m all over reading other people’s doomed love affairs and existential angst and identity crises.
But with Nina, there’s a steady self-assurance, and while she may be doing some exploration of her own personhood, it’s mostly done through the lens of the lives of others. This confidence and thoughtful handling of subject sets her apart from some of her cohort and is one of the things that drew me to her work four years ago.
Each book finds its inspiration in the life of a woman from New Zealand history. Cosmologist Beatrice Tinsley gives light to The Glowing Space Between the Stars. Betty Guard, reportedly the earliest Pakeha woman settler in the South Island, provides anchor in Whale Fall, and dancer Phillis Porter, who died after her dress caught on fire in Wellington’s Opera House, becomes Her and The Flames.
I don’t know if I should make a metaphor
Out of everything that astonishes me
So begins Astonishing objects, in The Glowing Space Between The Stars. That’s probably something most poets have asked themselves, but Nina describes how there were eight spiders inside the Columbia space shuttle that burnt up in 2003. How one of the crew had observed electric currents shooting up from lightning clouds, just days before the accident.
What are we supposed to do,
knowing that all this happened? …
I have collected up so many astonishing objects
that I have nowhere to put them down.
Of course, in Luminescent she has found a receptacle for these objects – and not just that, but a vehicle for telling their stories.
These stories and her telling have a unique place, descriptive as they are of New Zealand history.
In Whale Fall, she imagines herself into the life of a whaler’s wife. The titular poem is haunting, describing what happens when a dead whale drifts to the sea floor, becoming an ecosystem for other organisms.
The place where whales fall is never touched by sunlight.
… the darkness is only sparsely interrupted
by bursts of bioluminescent light.
You can see them
when you shut your eyes.
Sunflowers explores the author’s relationship with Katherine Mansfield, moving through responses to her work, to portraits of her, to talks about her. An erasure poem, Lucid Dream, uses a section of Mansfield’s journal from 1919. This sort of poem shows a particular kind of skill I don’t see many people master. It is difficult to accurately reproduce in text, but assume ellipses to be the erased sections.
….And suddenly I felt
….a sense of floating….
out of me. ….
…see… sun… and… violets-
In Her And The Flames, Nina imagines herself into the life and death of ill-fated dancer Phyllis Porter. The poem The echo captures a moment, perhaps the one before she died, perhaps one that keeps her alive.
There is a moment
inside of the echo
of the last note
when she holds
herself en pointe
still as if she
is no longer
a living breathing
girl but a spirit
in the space between
and the exhale…
In a similar theme, (Auto)biography of a Ghost imagines the life and tragic end of the woman reported to haunt a belltower in Nina’s old high school. The ghost in love describes how she fell to her death, rushing to meet the husband she thought was returning home.
There is nothing in the story
about how all her breath rushed from her body
when her foot missed a step; …
nothing about the moment when the air
that held her skin apart from his
collapsed and she was
Reviewed by Sarah Lin Wilson
by Nina Powles
Published by Seraph Press