The gold hardcover of Courtney Sina Meredith’s short story collection, Tail of The Taniwha, catches the light in a magical way. The writing inside is just as beautiful. Meredith’s lyrical style stems from her background in not only prose but also poetry, and she’s not afraid to push at the boundaries between the two. In her story The Coconut King, Meredith tags the beginning of each line with a slash in a way that’s reminiscent of poetry, while retaining the kind of full-formed narrative expected of prose.
Other ways of telling stories are explored in this lovely collection. In Patriarch, Eldest Son, Ghost Son, Daughter, Meredith strips back the text to just its dialogue. Stylisation, such as the use of italics, is the only means of assigning parts of speech to certain characters. Dialogue is what uncovers the relationships between them. This backstory is crafted up in such a subtle way that by the time I got to the ending, I had to turn back a couple pages and read it all over again. My second reading was with this newfound knowledge of what these characters meant to each other.
I especially loved how Meredith worked with format in her story Aotahi. This story begins with five sentences, lyrical but seemingly unrelated to each other, from “You were very small, Aotahi” to “It’s like swimming back to yourself from a great distance”. However, with each page, Meredith added gaps to the story, edging out details and building up the plot. My assumptions were changed and expectations deformed. Each addition felt like a new star coming to the horizon, with all of these stars eventually creating a whole galaxy at the end, a whole new story.
The tension of this format was further evoked in the story Leaning Trees. Along with forming details about the central character, various news headlines were used to fill in these gaps. These headlines became a sort of distraction, or possibly even a solace to the narrator, who seemed to be trying to avoid the acknowledgment of her situation until the last crucial detail was revealed on the final page.
These little details brought complexity to the lives of Meredith’s characters. In The Youthful Dead, Meredith presents a girl called Ava who is dreams of someday being like her sister, of moving away from home and living her own life. Meredith crafts a haunting scene of loneliness where Ava is reduced to a shadow, forever following the orders of others. The moon becomes an eerie guardian in the sky as Ava “unfolds her bucket list in the moonlight”. “I will”, she thinks, “I will visit Greece… I will feel the sun on my face”.
Meredith’s style is poetic and beautiful, and Tail of The Taniwha is a striking collection of the many forms that the short story can take. Meredith’s style is also a voice that’s strong and fearless. In her stories, she dreams and wishes. But she is also a woman of action, who mulls over what these dreams mean, who wants to “find all the black holes”. It is a voice that is aware of what others expect of her, whilst acknowledging that she is much more multi-faceted than these expectations could ever be.
Reviewed by Emma Shi
Tail of The Taniwha
by Courtney Sina Meredith
Published by Beatnik Publishing